Wednesday 16 May 2018, 4.00-5.45pm, The Boothroyd Room
Portcullis House, 1 Parliament St, Westminster, London SW1A 2JR
Attendees:
Mandy Barrett Gomersal Primary School
Mick Barrett Artist
Geoff Barton ASCL General Secretary
Tracy Brabin MP
Alex Bunting British Fashion Council
Jessica Austin Burdett Sedgehill School
Lesley Butterworth NSEAD
Sheila Ceccarelli AccessArt
Victoria Cerdeno St Marylebone School
Jose Chambers Comino Foundation
Alex Coles The Big Draw
Simon Columb NSEAD
Nick Corston STEAM Co
Matthew Cragoe University of Lincoln
Alice Crane SPAEDA
Petra Matthews Crow NSEAD
Steph Cubbin St Marylebone School
Nan Davies Wellcome Trust
Karen Eslea Turner Contemporary
Paula Graham CVAN
Michele Gregson Kent Art Teachers/ROH Bridge
Sharon Hodgson MP (Chair)
Sophie Leach NSEAD
Hilary Leevers Wellcome Trust
Kate Mason The Big Draw
Jack Mayorcas Office of Sharon Hodgson
Susannah Moore Finton House School
Kate Noble The National Gallery
Dr Rachel Payne NSEAD
Anne Louise Quinton Freelance
Ruth Sapsed Cambridge Curiosity and Imagination
Pauline Smith Arts University Bournemouth
Cat Smith Milverton Primary School
Clare Stanhope Harris Girls’ Academy
Dr John Steers Higher Education Art and Design (HEAD) Trust
Ian Thompson UAL/NSEAD
David Vaughan Higher Education Art and Design (HEAD) Trust
Thelma Walker MP
Natalie Walton Arts Council Collection
Joanna Woodbridge St Mary’s University
Andria Zafirakou Alperton Community School
The All-Party Parliamentary Group for
Art, Craft and Design in Education
1. Welcome from Chair, Sharon Hodgson MP, & Introductions: Minutes of the last meeting, 14
March 2018 were agreed. Update on Action Points from last meeting: 2. Letter to Children’s
Commissioner: Copies were shared and will be attached to the minutes.
2. Geoff Barton (GB), General Secretary of The Association of School and College Leaders (ASCL):
Why do we need a broad and balanced curriculum and, why do we teachers need subject-specific
CPD? GB examined the importance of art and design in schools, from the point of view of his recent
leadership and head teacher experience in schools. GB shared a conversation with Nick Gibb,
Minister for School Standards, where he had identified that arts subjects had been marginalised;
evidence had been shared, to include the large-scale BBC Survey on Creative Subjects, which had
proven that in England, curriculum breadth had reduced. GB noted that ‘entitlement’ was a key
word, and that access to the arts was a birth right for every child. GB also shared that the current
performance-led education system was unsustainable and that there was an appetite from
employers to have creative people in their workforces. In the age of the robot, creative input would
always be human, but school leaders would need to be bolder.
3. Andria Zafirakou (AZ), Senior Leader at the Alperton Community School, Teacher of Art and
Textiles, and Global Teacher Prize Winner 2018, on winning the prize and the value of art
education: AZ confirmed that she had observed a growing movement, which had begun to celebrate
what teachers achieve, as in her own experience of winning the award. AZ shared her conviction that
‘art saves lives’ by giving young people opportunities to be creative and expressive, and taking them
away from the temptations of other activities, such as gang culture. AZ was also concerned that
increasingly teachers are not allowed out of school to attend CPD – many teachers had moved
towards self-managed and self-funded CPD organised in their own time. AZ recommended that
educators need to raise parental awareness of the arts, especially with respect to employability in
the cultural and creative industries and that this connection, between the industries and schools, is
essential. AZ outlined her plans for using the Global Teacher prize money to set up a charity called
‘Artists in Residence’ which would bring artists, musicians, performers into schools. She would seek
to influence policymakers to show that art and design is inclusive and that everyone should have
access to it.
4. ‘Developing Great Subject Teaching Rapid Evidence Review of subject-specific CPD in the UK’, a
summary of the findings and news of a new research project – Hilary Leevers (HL), Head of
Education and Learning, Nan Davies (ND), Project Manager, Professional Development, Wellcome
Trust wellcome.ac.uk/sites/default/files/developing-great-subject-teaching.pdf: HL and ND
presentation showed evidence that subject-specific CPD is highly effective in raising attainment and
teacher retention. The report findings had confirmed that school leaders and teachers also needed to
have a better understanding of what effective CPD looks like. Their recommendations included
quality assurance of CPD provision, individual teacher professional development, school
development and CPD to be linked to review. It was confirmed that the Trust’s future research would
centre on a compact regional pilot study (Sheffield/Rotherham) beginning in September 2018 and
involving 40 schools. The presentation ended with the statement that every teacher should regularly
participate in subject-specific CPD. The full presentation can be viewed online*.
5. Continued Professional Development opportunities, a snapshot of the national picture, Lesley
Butterworth (LB), General Secretary NSEAD: LB gave a national overview of subject-specific CPD
from an NSEAD perspective, acknowledging pockets of excellence but more apparently dwindling
numbers attending subject-specific CPD, not from lack of interest but for lack of time and funding to
come out of the classroom into a cultural setting to attend such opportunities. Citing The NSEAD
Survey Report 2015-16, LB confirmed that these findings are still true, and that barriers to subjectspecific CPD can be attributed to the consequences of government policy. Read the full text online*
6. Alice Crane (AC), Artistic Director SPAEDA, (Somerset Partnerships Arts Education Agency), with
Catherine Smith (CS), Art Co-ordinator Milverton Primary, Somerset ‘Switched on to Art’ – findings
from an action research project investing in teachers’ creativity and invigorating practice: AC
outlined the work of SPAEDA, and how a project funded by the Arts Council ‘Grants for the Arts’ had
explored new ways to ensure Arts CPD and resources reach subject leaders. The project had
comprised of a rich programme of action learning networks, cultural events, conferences and
seminars. Within it a collaborative sketchbook project called Switchbook, in part inspired by
Sketchbook Circle, built a community of 38 arts leaders and young ambassadors working side-by side,
resourced by visits to cultural venues. CS shared how the opportunity had aided her role as art coordinator and inspired and empowered her to do the job effectively. The presentation can be viewed
online*
7. Susan Coles, (NSEAD/NEATEN) networking for visual art teachers in North East England,
professional development and contributing to personal wellbeing: Susan shared the story of the
North East Art Teacher Educator Network (NEATEN) and the way that an unfunded and enthusiastic
group of teachers had worked together to create free or low cost, high-quality professional
development for local teachers. Examples and links with other organisations (e.g. NSEAD, BALTIC,
The Big Draw) were shared. Again, it was noted that all work was voluntary and undertaken in
teacher’s own time. The link to individual teacher sense of wellbeing through being both challenged
and valued was pointed out. ‘What all of us need, to be better at what we do, is…collective wisdom.’
Read the full text online*
8. Next steps: A summary of letters previously sent by the APPG and officers to Secretaries of State
for Education followed by a discussion led by Sophie Leach (SL), Assistant General Secretary
NSEAD: SL noted that since the formation of the APPG there had been four Secretaries of State for
Education, to whom the APPG had addressed five letters. With the intention of opening new lines of
communication with Damian Hinds MP, Secretary of State for Education, SL summarised each letter
and recent research, to include the BBC Creative Arts in Schools Survey and a recent DfE
announcement of £96 million for talented ‘arts’ pupils. SL noted that whilst the APPG might welcome
the DfE’s announcement, the APPG might also wish to ask: why is there such an imbalance of
spending [94% is allocated to music, dance and drama]? And, how will pupils even know they are
talented when curriculums are so depleted of arts subjects? Read the full text online*
9. AOB: Attendees were asked to collect a copy of Sharon Hodgson’s letter of response sent to the
Children’s Commissioner re. The KidsRights Index.
10. Date and time of next meeting: The AGM will take place 4pm, Wednesday 17 October 2018.
The next full APPG meeting will be held, 4-6pm, 13 November 2018. Locations tbc.
* All presentations can be viewed online: nsead.org/APPG/papers.aspx